Policy Analysis: Türkiye's Cultural and Creative Sector Under the Erdoğan Administration

Last updated: February 5, 2026

Policy Analysis: Türkiye's Cultural and Creative Sector Under the Erdoğan Administration

Policy Background

The cultural and creative industries in Türkiye have undergone significant transformation under the long tenure of President Recep Tayyip Erdoğan and his Justice and Development Party (AKP). This evolution is not an isolated cultural initiative but is deeply embedded within the broader political framework of the "New Türkiye" vision. The primary policy objectives are twofold: to harness the soft power potential of Türkiye's rich historical and cultural heritage to bolster national prestige and geopolitical influence, and to align artistic and creative expression with the state's defined conservative and nationalist values. This represents a strategic shift from a more laissez-faire approach to a state-guided model where culture is viewed as a key pillar of national identity and sovereignty. The policy operates at the intersection of nation-building, economic development, and ideological coherence, seeking to project a distinct, modern-yet-rooted Turkish identity on the global stage while managing domestic cultural discourse.

Core Policy Points

The administration's approach can be distilled into several interconnected pillars. First, there is a pronounced emphasis on heritage reclamation and narrative control. This involves massive public investment in the restoration of Ottoman and Seljuk-era monuments (e.g., the Hagia Sophia's reconversion to a mosque) and the promotion of historical narratives that emphasize Türkiye's Islamic and imperial past. Second, the state has expanded its institutional and financial oversight through bodies like the Ministry of Culture and Tourism, which directs funding, commissions public artworks, and organizes major international festivals. Support is often channeled towards projects deemed congruent with national and moral values.

Third, there is a drive for economic instrumentalization, where creative sectors like television drama (e.g., the globally exported "dizi" series), design, and gaming are promoted as export-oriented industries that contribute to the economy and brand Türkiye. Fourth, the policy framework includes a regulatory dimension, with laws and guidelines that can affect content in arts, media, and digital platforms, aiming to protect societal values as defined by the state. This creates an environment where creative work operates within explicit and implicit boundaries.

Impact Analysis

The impact of this policy framework varies significantly across different stakeholder groups.

For State-Aligned Artists and Institutions: There are substantial opportunities. Architects, filmmakers, and designers working on state-sponsored heritage or nation-branding projects benefit from consistent funding and high-profile platforms. The global promotion of Turkish television and music has created international stars and lucrative markets.

For Independent and Critical Voices: The environment is challenging. Artists, writers, and curators whose work critiques government policies or addresses sensitive topics like LGBTQ+ rights or Kurdish identity face potential obstacles, including defunding, censorship, and legal pressures. This has led to a degree of self-censorship and a bifurcated arts scene.

For the Creative Industry Economy: The sector has seen growth in specific, state-prioritized areas. The "dizi" industry is a notable success story, generating significant revenue and soft power. Design sectors tied to tourism and urban development have also prospered. However, this growth can be uneven, with commercial viability often intertwined with alignment with the prevailing cultural narrative.

For International Cultural Relations: Türkiye's cultural diplomacy has become more assertive. Major restoration projects and blockbuster exhibitions are tools of foreign policy, aimed at Muslim-majority countries and global audiences. This has increased Türkiye's visibility but sometimes at the cost of perceptions of artistic freedom.

Before-and-After Contrast: Pre-AKP, the cultural field, especially in metropolitan centers like Istanbul, was often characterized by a more secular, Western-facing, and pluralistic ethos, with vibrant avant-garde scenes. The current model prioritizes a synthesis of Ottoman-Islamic heritage with modern aesthetics, centralizes patronage, and explicitly links cultural production to national strategic goals. The creative sector is now larger and more globally visible but operates within a more clearly defined ideological ecosystem.

Strategic Recommendations for Stakeholders

For Creative Professionals: Develop a nuanced understanding of the state's cultural priorities and funding mechanisms. Consider engaging with themes of heritage, craftsmanship, and "authentic" Turkish identity in innovative ways that also preserve artistic integrity. Building robust private sector or international patronage can provide alternative support systems. Digital platforms offer avenues for reaching audiences directly, albeit within legal constraints.

For Cultural Institutions & NGOs: Programming should carefully navigate the policy landscape. Highlighting technical excellence, economic contribution, and cultural diplomacy value can be effective frameworks for projects. International partnerships can provide legitimacy and a degree of insulation. Focus on universal themes within the arts, such as innovation in design or conservation techniques, which may be less politically charged.

For International Partners and Investors: Recognize the dual reality of Türkiye's creative sector: a dynamic, skilled market with high production value alongside a unique regulatory environment. Due diligence should include a cultural and political risk assessment. Partnerships with established, savvy local entities are crucial. Opportunities are particularly ripe in sectors explicitly encouraged by the state, such as heritage tourism, digital content for export, and Islamic arts and design.

In conclusion, Türkiye's cultural policy under Erdoğan represents a comprehensive, state-driven project to shape national identity and leverage soft power. Its implementation creates a complex landscape of significant opportunity and notable constraint. Success for creative actors requires strategic navigation, an understanding of the red lines, and an ability to operate within the defined paradigm while seeking spaces for innovation and expression.

Recep Tayyip Erdoğanartculturecreative